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  })();</description><title>On Film-making and other things</title><generator>Tumblr (3.0; @danclifton)</generator><link>http://danclifton.tumblr.com/</link><item><title>After the Games: Photographs of Decaying Olympic Sites

Really...</title><description>&lt;img src="http://25.media.tumblr.com/793be29eed21949bc5d416a731c4c842/tumblr_mmu2aqWUvD1qzre0ho1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 class="headline"&gt;&lt;a href="http://io9.com/after-the-games-photographs-of-decaying-olympic-sites-503372635" data-id=""&gt;After the Games: Photographs of Decaying Olympic Sites&lt;/a&gt;&lt;/h1&gt;

&lt;p&gt;Really like this assembly of photos of decayed Olympic sites.&lt;/p&gt;

&lt;p&gt;&lt;a href="http://io9.com/after-the-games-photographs-of-decaying-olympic-sites-503372635"&gt;http://io9.com/after-the-games-photographs-of-decaying-olympic-sites-503372635&lt;/a&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/50566427439</link><guid>http://danclifton.tumblr.com/post/50566427439</guid><pubDate>Thu, 16 May 2013 10:00:29 +0100</pubDate></item><item><title>PATIENT 39 - UPDATE</title><description>&lt;p&gt;&lt;img src="http://media.tumblr.com/a08c732f67fc03763fc42d0c82264511/tumblr_inline_mmu39dUPXz1qz4rgp.jpg"/&gt;&lt;span&gt;PATIENT 39 is entering a new phase as we come towards the final furlong of the offline edit.&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;I’ve been working with film editor Richard Wilkinson (&lt;/span&gt;&lt;a href="http://www.imdb.com/name/nm1270577/"&gt;&lt;a href="http://www.imdb.com/name/nm1270577/"&gt;http://www.imdb.com/name/nm1270577/&lt;/a&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;on the cut and it’s been a fascinating process of seeing it evolve and take shape, all informed by Richard’s fiendishly clever eye and judgement.&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;The edit is a time when your choices are laid bare, and mistakes have to be addressed – but it is also a time when your choices can be reaffirmed, tightened and strengthen.&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;So it is the part of the process when things become coherent, coalesce and the film itself is born.&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;The trick to some extent is to keep your mind open to the possibilities, to the flexibility that still remains, while at the same time being true to &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;the direction you’ve been following.&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
&lt;!--StartFragment--&gt;
&lt;p class="MsoNormal"&gt;We shot the film in March (it was snowing on one day!) and I’ve been fortunate to benefit from the help of Justin Cornish at Atomic Arts (&lt;a href="http://www.atomicarts.net/"&gt;&lt;a href="http://www.atomicarts.net/"&gt;http://www.atomicarts.net/&lt;/a&gt;&lt;/a&gt;)  to help magically transform the weather to the blue sky that is so important to the story.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;We’ve also been joined on the journey by the brilliant composer Andy Hopkins (&lt;a href="http://www.andyhopkins.co.uk/"&gt;&lt;a href="http://www.andyhopkins.co.uk/"&gt;http://www.andyhopkins.co.uk/&lt;/a&gt;&lt;/a&gt;).  Andy immediately tuned into the psychological tone of the story and to its moods and turns I am looking forward to sharing the results of his fantastic work with you when the film is completed.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.patient39.co.uk/"&gt;http://www.patient39.co.uk/&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.facebook.com/Patient39"&gt;http://www.facebook.com/Patient39&lt;/a&gt;&lt;/p&gt;
&lt;!--EndFragment--&gt;

&lt;p&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/50487330180</link><guid>http://danclifton.tumblr.com/post/50487330180</guid><pubDate>Wed, 15 May 2013 10:51:39 +0100</pubDate><category>Patient 39</category><category>William Boyd</category><category>Dan Clifton</category><category>Post prod</category></item><item><title>THE MEANING OF LIFE (!)
The late David Foster Wallace hands down...</title><description>&lt;iframe src="http://player.vimeo.com/video/65576562?byline=0&amp;portrait=0&amp;badge=0" width="400" height="225" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;THE MEANING OF LIFE (!)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;The late David Foster Wallace hands down some useful pointers, in this university speech day that’s been visualised into a neat little short film. I very much like the sentiment of this.&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/50409892812</link><guid>http://danclifton.tumblr.com/post/50409892812</guid><pubDate>Tue, 14 May 2013 10:00:12 +0100</pubDate></item><item><title>PADDY CHAYESKY’S NOTES FOR HIS OSCAR-WINNING SCREENPLAY...</title><description>&lt;img src="http://25.media.tumblr.com/b07d88f4bd00f4d76abdbf1c13b7eab1/tumblr_mezb7e3Oqp1rovfcgo1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;PADDY CHAYESKY’S NOTES FOR HIS OSCAR-WINNING SCREENPLAY ‘NETWORK’&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;a class="tumblr_blog" href="http://cinephilearchive.tumblr.com/post/37839527812"&gt;cinephilearchive&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Network s&lt;/em&gt;creenplay by Paddy Chayefsky for your reading pleasure [&lt;a href="http://ubuntuone.com/27ZlDT6wEQqW5ZNtKL1EeL"&gt;pdf&lt;/a&gt;]. (NOTE: For educational purposes only)&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Network&lt;/em&gt; (1976) was written by &lt;a href="http://www.imdb.com/name/nm0154665/"&gt;Paddy Chayefsky&lt;/a&gt; (1923-1981) and directed by Sidney Lumet (1924-2011). Paddy Chayefsky said he didn’t write the film as an attack on the television industry (‘it’s not a brutal attack, maybe a murderous attack, but not brutal,’ he laughs in the interview), he just described the world as he saw it around him. He wants to get a message across but if it happens it’ll be a bonus. First and foremost the story has to be entertaining.&lt;/p&gt;
&lt;blockquote&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;“How do you preserve yourself in a world in which life doesn’t really mean much anymore. That’s what I was trying to say, but the trick of course is to say it so that it’s a good movie.”&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/blockquote&gt;
&lt;p&gt;Chayefsky wrote a lot of fictional TV, and said he enjoyed watching TV but didn’t believe a word that was said on it because of the way everything is condensed, manipulated, and influenced by the ratings game. The audience becomes brutalised because they see violence every day and it makes them indifferent to it. And the country (like most developed countries these days) are television-saturated, most of the population gets their information from television.&lt;/p&gt;
&lt;blockquote&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;“This is what the picture is essentially about — when do we say ‘Hold it! A human life is a hell of a lot more important than your lousy dollar’.”&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div class="wp-caption aligncenter" id="attachment_721"&gt;&lt;img alt="" class="size-full wp-image-721" height="421" src="http://affektsc.files.wordpress.com/2012/11/chayevskys-notes2.jpg?w=710&amp;h=421" title="chayevskys notes2" width="710"/&gt;&lt;p&gt;Chayefsky channelled his frustrations with television into this satire that deals with news operation through the character of Howard Beale.  Beale is a news anchor whose rating have been declining and the broadcast network fires him; Beale reacts by announcing that he will commit suicide on air, resulting with him getting his own show and becoming a huge audience success (with good ratings), and Beale uses his power to make revelations about the Communications Corporation.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;Paddy Chayefsky won the Oscar for Best Writing for &lt;em&gt;Network&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Chayefsky discusses &lt;em&gt;Network&lt;/em&gt; and the way television manipulates truth.&lt;/p&gt;
&lt;p&gt;&lt;iframe frameborder="0" height="360" src="http://www.youtube.com/embed/nNa019FaNW0?feature=player_embedded" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;Chayefsky’s notes for &lt;em&gt;Network&lt;/em&gt; (New York Public Library):&lt;/p&gt;
&lt;div class="wp-caption aligncenter" id="attachment_722"&gt;&lt;img alt="" class="size-full wp-image-722" height="853" src="http://affektsc.files.wordpress.com/2012/11/chayevskys-notes.jpg?w=710&amp;h=853" title="chayevskys notes" width="710"/&gt;&lt;/div&gt;
&lt;div class="wp-caption aligncenter" id="attachment_723"&gt;&lt;img alt="" class="size-full wp-image-723" height="882" src="http://affektsc.files.wordpress.com/2012/11/chayevskys-notes1.jpg?w=710&amp;h=882" title="chayevskys notes1" width="710"/&gt;&lt;/div&gt;
&lt;div class="wp-caption aligncenter" id="attachment_724"&gt;&lt;img alt="" class="size-full wp-image-724" height="547" src="http://affektsc.files.wordpress.com/2012/11/network-programming.jpg?w=710&amp;h=547" title="network programming" width="710"/&gt;&lt;p class="wp-caption-text"&gt;Paddy Chayefsky created programming for the fictional UBS (New York Public Library):&lt;/p&gt;
&lt;/div&gt;
&lt;div class="wp-caption aligncenter" id="attachment_727"&gt;&lt;img alt="" class="size-full wp-image-727" height="861" src="http://affektsc.files.wordpress.com/2012/11/chayevskys-notes3.jpg?w=710&amp;h=861" title="chayevskys notes3" width="710"/&gt;&lt;p class="wp-caption-text"&gt;Howard Beale’s moving speech is timeless: the problems are as relevant today as they were when the film was made.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;iframe frameborder="0" height="360" src="http://www.youtube.com/embed/q_qgVn-Op7Q?feature=player_embedded" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;div class="body clearfix"&gt;
&lt;p&gt;“The shooting script for &lt;em&gt;Network&lt;/em&gt;. Howard Beale’s “Mad as Hell” speech was filmed on Day 1.” — via &lt;a href="https://twitter.com/#%21/ditzkoff/status/200981792067559424"&gt;Dave Itzkoff&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="667" src="http://24.media.tumblr.com/tumblr_m3v94imaHd1qb3920o1_500.jpg" width="640"/&gt;&lt;/p&gt;
&lt;a class="twitter-share-button" href="https://twitter.com/share"&gt;Tweet&lt;/a&gt;
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&lt;/blockquote&gt;</description><link>http://danclifton.tumblr.com/post/50327960065</link><guid>http://danclifton.tumblr.com/post/50327960065</guid><pubDate>Mon, 13 May 2013 07:54:13 +0100</pubDate><category>screenwriting</category><category>network</category><category>paddy chayefsky</category></item><item><title>CAST READ THROUGH FOR SPIKE LEE’S ‘DO THE RIGHT...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/ARC6HRwkgK8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;CAST READ THROUGH FOR SPIKE LEE’S ‘DO THE RIGHT THING’ (Video)&lt;/strong&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/49843674266</link><guid>http://danclifton.tumblr.com/post/49843674266</guid><pubDate>Tue, 07 May 2013 09:30:28 +0100</pubDate></item><item><title>STEPHEN SODERBERGH’S ‘STATE OF CINEMA’ ADDRESS...</title><description>&lt;iframe src="http://player.vimeo.com/video/65060864?title=0&amp;byline=0&amp;portrait=0" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;STEPHEN SODERBERGH’S ‘STATE OF CINEMA’ ADDRESS TO THE SAN FRANCISCO FILM FESTIVAL &lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span&gt;From Producer Ted Hope:&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span&gt;“Cinema is under assault,” Steven Soderbergh told an audience in San Francisco over the weekend. He said that the Hollywood studios are to blame and that moviegoers are their accomplices. “Fewer and fewer executives in the industry love movies,”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/49348973762</link><guid>http://danclifton.tumblr.com/post/49348973762</guid><pubDate>Wed, 01 May 2013 10:39:59 +0100</pubDate><category>Steven Soderbergh</category><category>filmmaking</category><category>indie film</category><category>directing</category></item><item><title>cinephilearchive:

Ridley Scott on...</title><description>&lt;img src="http://25.media.tumblr.com/8d78604c3f073ef1af0270507b8cec55/tumblr_mlt8nyctvN1rovfcgo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://cinephilearchive.tumblr.com/post/48848600694"&gt;cinephilearchive&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ridley Scott on filmmaking.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://filmschoolthrucommentaries.wordpress.com/2013/04/25/ridley-scott-on-filmmaking-part-i/"&gt;filmschoolthrucommentaries&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here it is, the first of a series of Ridley commentaries. Ridley’s discussions are always filled with good information on technical side of things as well as the industry. Devour it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;iframe frameborder="0" height="360" src="http://www.youtube.com/embed/QekinIsQLV0?feature=player_embedded" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;On &lt;a href="http://youtu.be/NlI7JTTVgps"&gt;apprenticeships&lt;/a&gt; — try to get one in this cutthroat business.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;iframe frameborder="0" height="360" src="http://www.youtube.com/embed/NlI7JTTVgps" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://danclifton.tumblr.com/post/48939472720</link><guid>http://danclifton.tumblr.com/post/48939472720</guid><pubDate>Fri, 26 Apr 2013 18:38:09 +0100</pubDate></item><item><title>MICHEL GONDRY ON ADAPTING BORIS VIAN’S 1947 NOVEL...</title><description>&lt;iframe src="http://cineuropa.org/vd.aspx?t=videoembed&amp;l=en&amp;rdID=236339&amp;did=236709&amp;fmt=flv" width="400" height="237" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;MICHEL GONDRY ON ADAPTING BORIS VIAN’S 1947 NOVEL ‘L’ECUME DES JOURS’ FOR THE SCREEN&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;(In French!)&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/48761358013</link><guid>http://danclifton.tumblr.com/post/48761358013</guid><pubDate>Wed, 24 Apr 2013 08:26:00 +0100</pubDate><category>Michel Gondry</category><category>filmmaking</category><category>L'Ecume Des Jours</category><category>directing</category></item><item><title>THE END OF FUJI MOTION PICTURE FILM</title><description>&lt;p&gt;&lt;img src="http://media.tumblr.com/2137d2225a3af481329c20eed251de70/tumblr_inline_mkrtlcg6NF1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.fujifilm.com/news/n130402.html"&gt;&lt;a href="http://www.fujifilm.com/news/n130402.html"&gt;http://www.fujifilm.com/news/n130402.html&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/47177671011</link><guid>http://danclifton.tumblr.com/post/47177671011</guid><pubDate>Fri, 05 Apr 2013 08:18:15 +0100</pubDate></item><item><title>SWALLOWED BY A BLACK HOLE
Shooting with Cliff Diver Todor Spasov...</title><description>&lt;img src="http://25.media.tumblr.com/12b129187b76ed3648d089abed3e1d71/tumblr_mkj0uwGspw1qzre0ho1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/0818417645ef864ae415419bb23da44c/tumblr_mkj0uwGspw1qzre0ho2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/30fdec98fe5f6de357d76817f7a0b3bb/tumblr_mkj0uwGspw1qzre0ho3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;SWALLOWED BY A BLACK HOLE&lt;/p&gt;
&lt;p&gt;Shooting with Cliff Diver Todor Spasov on Gozo for opening sequence of forthcoming BBC2 black hole documentary. DoP: Rob Goldie.&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/46755078967</link><guid>http://danclifton.tumblr.com/post/46755078967</guid><pubDate>Sun, 31 Mar 2013 14:16:08 +0100</pubDate><category>black holes</category><category>Todor Spasov</category><category>cliff diving</category><category>cosmology</category><category>filmmaking</category></item><item><title>KODAK FILM ON FILM
With the decision to close...</title><description>&lt;iframe src="http://player.vimeo.com/video/20169225?byline=0&amp;portrait=0" width="400" height="215" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;KODAK FILM ON FILM&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;With the decision to close Technicolor’s film processing labs here in the UK, perhaps it might be worth pausing for a moment to consider what we might be losing - and what it might mean for film production here in the UK.&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/46493639898</link><guid>http://danclifton.tumblr.com/post/46493639898</guid><pubDate>Thu, 28 Mar 2013 08:10:49 +0000</pubDate><category>film</category><category>filmmaking</category><category>celluloid</category><category>digital</category><category>cinematography</category></item><item><title>APOLLO PROGRAMME SATURN V F1 ENGINES RECOVERED FROM OCEAN FLOOR</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/kQwV_8BeaQg?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;APOLLO PROGRAMME SATURN V F1 ENGINES RECOVERED FROM OCEAN FLOOR&lt;/strong&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/45909720310</link><guid>http://danclifton.tumblr.com/post/45909720310</guid><pubDate>Thu, 21 Mar 2013 12:46:16 +0000</pubDate></item><item><title>EXECUTIVE NOTES
Notes from Executives to Ridley Scott on...</title><description>&lt;img src="http://24.media.tumblr.com/d7bf105801978680efbf0e12f040a6ad/tumblr_mjx2o44cED1qzre0ho1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;EXECUTIVE NOTES&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Notes from Executives to Ridley Scott on ‘Blade Runner’. I particularly liked ‘&lt;em&gt;Ridley and crew have had three cuts and still have not done what was agreed.’&lt;/em&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/45762549599</link><guid>http://danclifton.tumblr.com/post/45762549599</guid><pubDate>Tue, 19 Mar 2013 16:48:04 +0000</pubDate><category>filmmaking</category></item><item><title>DIRECTOR PAUL THOMAS ANDERSON AND THE USE OF STEADICAM </title><description>&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/ac46114ecda1aaa2048af24a4b3ad80a/tumblr_inline_mjugxv5qYe1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;Neat article and video clip on how Anderson uses Steadicam - and how it has changed as his career has moved forwards.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/video-steadicam-progress-career-paul-thomas-anderson-five"&gt;http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/video-steadicam-progress-career-paul-thomas-anderson-five&lt;/a&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/45659528806</link><guid>http://danclifton.tumblr.com/post/45659528806</guid><pubDate>Mon, 18 Mar 2013 07:04:00 +0000</pubDate><category>steadicam</category><category>directing</category><category>paul thomas anderson</category></item><item><title>Buzludzha Monument, Abandoned Saucer-Shaped Communist Party Headquarters on a Bulgarian Mountaintop</title><description>&lt;a href="http://laughingsquid.com/buzludzha-monument-abandoned-saucer-shaped-communist-party-headquarters-on-a-bulgarian-mountaintop/"&gt;Buzludzha Monument, Abandoned Saucer-Shaped Communist Party Headquarters on a Bulgarian Mountaintop&lt;/a&gt;: &lt;p&gt;Location in waiting for a Bond film I’d have thought…&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/44697298150</link><guid>http://danclifton.tumblr.com/post/44697298150</guid><pubDate>Wed, 06 Mar 2013 09:13:00 +0000</pubDate></item><item><title>APOLLO 15 MISSION PHOTOS
(courtesy of NASA)</title><description>&lt;img src="http://25.media.tumblr.com/e07b592f52beac348090b338bf282082/tumblr_migsei1XtQ1qzre0ho1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/28c9c4211a2897d850af935bc759ab25/tumblr_migsei1XtQ1qzre0ho2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/c9a5cc22b8cfb9f90f5b3493d397b058/tumblr_migsei1XtQ1qzre0ho3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/c083da0e24a2c20d12c7d68e88933472/tumblr_migsei1XtQ1qzre0ho4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/45018fa0049f64b2f0ccfa58c2cf63aa/tumblr_migsei1XtQ1qzre0ho5_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/05dbe6ecbe38285a1323749ceafb974d/tumblr_migsei1XtQ1qzre0ho6_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;strong&gt;APOLLO 15 MISSION PHOTOS&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;(courtesy of NASA)&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/43479558041</link><guid>http://danclifton.tumblr.com/post/43479558041</guid><pubDate>Tue, 19 Feb 2013 11:11:06 +0000</pubDate></item><item><title>Film of the Day: Patient 39</title><description>&lt;a href="http://brettgerry.co.uk/?p=1984"&gt;Film of the Day: Patient 39&lt;/a&gt;</description><link>http://danclifton.tumblr.com/post/43399290258</link><guid>http://danclifton.tumblr.com/post/43399290258</guid><pubDate>Mon, 18 Feb 2013 14:33:46 +0000</pubDate></item><item><title>TIM BURTON MASTERCLASS
Director, producer, writer, animator, and...</title><description>&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=10,0,0,0" id="playerArteLiveWeb" allowscriptaccess="always" width="400" height="226"&gt;&#13;
	&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="quality" value="high" /&gt;&lt;param name="movie" value="http://download.liveweb.arte.tv/o21/liveweb/flash/player.swf?appContext=liveweb&amp;eventId=3298&amp;admin=false&amp;mode=prod&amp;embed=true&amp;autoPlay=false&amp;lang=en&amp;chapterId=0&amp;playOnlyChapter=false" /&gt;&lt;embed src="http://download.liveweb.arte.tv/o21/liveweb/flash/player.swf?appContext=liveweb&amp;eventId=3298&amp;admin=false&amp;mode=prod&amp;embed=true&amp;autoPlay=false&amp;lang=en&amp;chapterId=0&amp;playOnlyChapter=false" width="400" height="226" allowfullscreen="true" name="playerArteLiveWeb" quality="high" allowscriptaccess="always" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt; &lt;br/&gt;&lt;br/&gt;&lt;p&gt;TIM BURTON MASTERCLASS&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Director, producer, writer, animator, and artist Tim Burton masterclass at the Paris Cinematheque.&lt;/span&gt;&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/42268955006</link><guid>http://danclifton.tumblr.com/post/42268955006</guid><pubDate>Mon, 04 Feb 2013 11:23:00 +0000</pubDate></item><item><title>Dan Clifton: Directing science on screen : Ri Channel</title><description>&lt;a href="http://richannel.org/blog/2013/january/patient-39"&gt;Dan Clifton: Directing science on screen : Ri Channel&lt;/a&gt;: &lt;p&gt;Article I’ve written for the Royal Institution blog&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/42016389062</link><guid>http://danclifton.tumblr.com/post/42016389062</guid><pubDate>Fri, 01 Feb 2013 11:40:06 +0000</pubDate></item><item><title>SCORSESE ON ARTIFICE
Martin Scorsese in a revealing talk about...</title><description>&lt;iframe src="http://player.vimeo.com/video/9847191" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;SCORSESE ON ARTIFICE&lt;/p&gt;
&lt;p&gt;Martin Scorsese in a revealing talk about heightened reality in cinema (with particular reference to NEW YORK, NEW YORK)&lt;/p&gt;</description><link>http://danclifton.tumblr.com/post/41354949153</link><guid>http://danclifton.tumblr.com/post/41354949153</guid><pubDate>Thu, 24 Jan 2013 12:24:00 +0000</pubDate><category>Scorsese</category><category>filmmaking</category><category>directing</category><category>production design</category></item></channel></rss>
